Cinematic Narrative

Fantasy Action

Character Drama

War Drama

Automate

Zero prompts written. Zero tags placed.

The squad compiles the full Seedance prompt and tags every reference — character stills, first frames, diagrams — into the right slot, for video and image generation alike. You never touch prompt syntax or the reference system.

Omar / untold timeline main

Kimi K2.6

online

direct the next clip: "AGENT SMITH walks the corridor. He stops at the last door. No name on it. He enters." — reuse the corridor image we already have

CLIP-23 directed — Mode A, 4 shots. Reusing the CLIP-22 corridor assets + Agent Smith character ref.

Shot breakdown: behind him tracking → front of him facing → behind him at the unmarked door → enters into the amber light.

Prompt compiled automatically — references tagged, corridor frames already approved, no regeneration needed.

@image1 Agent_smith.jpeg@image2 CLIP-22-corridor-wide.png@image3 CLIP-22-corridor-door.png

✓ Zero prompts written — zero tags placed.

direct the next clip: "AGENT SMITH walks the corridor. He stops at the last door. No name on it. He enters." — reuse the corridor image we already have

Raw direction in — directed shots, compiled prompt, tagged references out

From the first line to the final cut

Talk like a director. The squad writes the prompts.

You direct in the chat

Kagelot · Director chatKimi K2.6

ChatDirectActionMotionScreenplayViralDesign

New episode: they aim spears at a hunt — throw and miss. The animal runs into a giant cave. He walks toward it alone…

✓ CLIP-13 — THE CAVE written: screenplay + clip prompts (10 shots · ~30s · 9:16 · Mode A · Seedance 2.5 · 7 refs). Every reference tagged — ready to render.

Talk to the squad…↑

Plain film language, no syntax. That is the whole job.

The squad compiles

CINEMATIC SETUP
A sunny prehistoric meadow running up to one giant cave. Two stylized 3D caricatures in a photoreal world — the whole clip reads as casual phone footage.

REFERENCES
[@image3] is BONK: the husband who goes to the cave alone.
[@image4] is ZUZU: the wife he stops.
[@image6] is the T-REX: hidden in the dark until SHOT 10.
negative: speech, dialogue, on-screen text, smooth gimbal, slow motion

SHOT 1: Phone in hand, front of them — BONK and ZUZU run with spears raised.
SHOT 7: He stops her with one arm out. No words — just "stay".
SHOT 10: The T-REX roars from the cave mouth, camera behind BONK.

CLIP 13 — THE CAVE · ~30s · 9:16 · Mode A · Seedance 2.5

Prompt written. @image references tagged. Style enforced. Ready to render.

0 prompts written by you0 references tagged by hand9 specialists on every shot

Fluent in cinematic language

Trained on real productions, not guesswork.

Camera grammar

ECU means nowhere to hide. Low angle means power. One camera move per shot — never two stacked into one sentence.

The Turn

Every shot list is built backwards from the one moment something changes — not coverage: wide, medium, close, pointing at nothing.

Color grammar

Each world gets a hex-locked palette. Cold steel for the city. Amber under the unmarked door. The squad never mixes them.

Cut language

Tempo arcs and escalating density — and the freeze, because an ending should land, not stop.

38 knowledge documents · 14 directing lessons from real productions · 9 specialist agents

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